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No two microphones are alike, and when recording drums, it’s important to know the differences between the styles of microphones available and how they can best be positioned in order to gain the best sound possible. Drum recording gear and techniques can vary according to the recording space, personal preferences and even the type of rhythm being recorded, but it’s the microphones used that can be the most important consideration overall.

A ribbon microphone, as discussed in the following video, is one of the oldest types of microphones manufactured. These microphones may be considered a symbol of broadcasters from years past and may be able to record some of the warmest, truest sounds especially suited to vocals. Drum recording can also be accomplished with a ribbon microphone, particularly in an overhead configuration.

Dynamic microphones may have a more limited ability to record the various nuances of a full drum track, but are particularly suited to recording single drum sounds. Because of the limitations of these microphones, these microphones are usually rigged to record each drum in the set.

Condenser microphones are best for recording the overall sound and are typically placed in an overhead, XY position. These microphones can pick up the whole sound of a rhythm, and are much more responsive than other microphones, making them an important part of any drum recording.



The microphones chosen to record drums are an important part of the overall sound of the track recorded. Being sure to place the appropriate microphones in recommended configurations can help establish a solid foundation of drum recording, bringing excitement and the best sound possible into any music or drumming production.

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